Jackie - Brown =link=

Tarantino uses the music as a cocoon for Jackie. When she listens to "Strawberry Letter 23" on her car stereo, she is safe. When she finally secures the money and walks away from Max at the end, the music swells, but the feeling is bittersweet. She won. She is free. And she is utterly alone.

Jackie Brown is about the end of the fantasy. Jackie doesn't want revenge; she wants a retirement account. Max Cherry doesn't want excitement; he wants someone to talk to. Jackie Brown

In the final scene, Max sits in his empty office. He looks at Jackie’s bail slip. He picks up the phone to call her, then slowly puts it down. He realizes that he is not the man who gets on the plane. He is the man who stays behind. Forster’s expression tells you everything: he is heartbroken, but he is not surprised. Tarantino uses the music as a cocoon for Jackie

When we meet Jackie, she is not living a glamorous life. She is a flight attendant for a cut-rate Mexican airline, working two jobs, hauling cash for a low-level arms dealer to make ends meet, and terrified of losing the only thing she has: a shaky financial stability. She won

remains a unique outlier in the director's filmography. Unlike the explosive, non-linear kineticism of Pulp Fiction , this adaptation of Elmore Leonard’s deliberate, character-driven meditation

Following the earth-shattering success of Pulp Fiction , the world was waiting with bated breath to see what Tarantino would do next. Expectations were impossibly high. Rather than attempting to out-do himself with another anthology of pulp excess, Tarantino turned to one of his literary heroes: Elmore Leonard.