Duniyadari (2013) captured the imagination of a generation, portraying the turbulence of college life, friendship, love, and loss in 1970s‑80s Mumbai. Its resonance extends beyond the screen; fan clubs, academic dissertations, podcasts, and even community theatre productions continue to reinterpret the narrative. Yet, these initiatives often confront a common obstacle: coordinating a dispersed group of contributors who need real‑time access to scripts, research, multimedia assets, and promotional material.