Steinhaus is represented by reputable mid-tier galleries in New York and Chicago. Her small works (24" x 24") typically range between . Her large-scale commissions (72" x 72" and up) have sold in the $18,000 to $35,000 range. Collectors note that her secondary market prices have appreciated roughly 40% over the last three years, indicating a steady upward trajectory.
An Atlanta native, Steenhuis’s artistic journey began in her youth and was solidified at Sweet Briar College in Virginia, where she earned her BFA in studio art in 1980. Shortly after graduating, she moved to France to study at the Marchutz School of Fine Arts in Aix-en-Provence. This move was pivotal, shifting her focus from a technical, almost "scientific" approach to art toward a sensory-driven exploration of nature.
ArtForum described her 2022 solo show as "a delightful migraine of color that somehow resolves into a perfect chord." Hyperallergic noted that her work "bridges the gap between Willem de Kooning's aggression and Julie Mehretu's architectural complexity."
The keyword "Jill Steinhaus artist" leads to several distinct bodies of work. While she is primarily abstract, her themes are remarkably grounded.
Unlike painters who rely on a single medium, Steinhaus is a mixed-media virtuoso. Her canvases are archeological sites. She begins with a base of acrylic washes to establish a mood. Then comes the "building phase": heavy-body acrylics, oil sticks, modeling paste, and unconventional tools like palette knives, rags, and even gardening trowels.
If one had to define the visual language of in three words, they would be: Aggregated, Polychromatic, and Resolved .
Known for her expressive landscapes and oversized botanicals, Jill Steinhaus translates the emotion of nature onto canvas. Her work blurs the line between abstraction and reality—using bold palette knife strokes and soft, ethereal washes to capture the "in-between" moments of a garden in bloom.
(Image suggestion: A high-quality photo of one of her abstract floral or landscape paintings)
: She is noted as an international expert on Cézanne’s techniques and philosophy.