: Despite the "empowerment" narrative often associated with such stunts, the film became famous for a scene where Phillips breaks down in tears. She admitted the experience was "robotic" and much more intense than she anticipated, stating she would not recommend it to others. Dissociation
Explore the psychological discussion surrounding the project at The Free Press
Phillips has stated that she was drawn to the idea of exploring the concept of "mass intimacy" and the ways in which society views and interacts with the human body. By sleeping with 100 men in one day, she aimed to create a work of art that would spark conversations and challenge people's assumptions about sex, intimacy, and relationships. Lily Phillips - I Slept With 100 Men In 1 Day 1...
"I don’t know who I am right now. I thought I was in control. I had a spreadsheet. I had timers. But after number 30, I stopped feeling anything. By number 70, I was just a hole in the wall. I literally slept with 100 men in one day, and I feel emptier than I did when I started."
The art world has reacted with a mix of fascination and skepticism to Phillips' stunt, with some critics praising her bravery and others questioning the validity of her work. : Despite the "empowerment" narrative often associated with
She reveals she lost her phone—the one she was using to film exclusive content for paying subscribers—somewhere between participants 45 and 46. She realized later that three of the men filmed her without consent (despite her posted rules). She also admits she did not ask for STI test results from any of the participants, relying instead on condoms that "two guys took off mid-way through" without her realizing until after they left.
As she grew older, Phillips began to explore her own creativity through various forms of art, including modeling, writing, and filmmaking. But it wasn't until she stumbled upon the world of performance art that she found her true calling. By sleeping with 100 men in one day,
The deeper crisis here is the collapse of the boundary between performer and content in the creator economy. Phillips is not an employee of a studio with HR. She is a sole proprietorship. When her mental health breaks, there is no sick leave. When she is assaulted, there is no union rep. All that exists is the next upload, the next notification, the next man knocking on the door.
(including sex worker advocacy groups like Pineapple Support and Sex Work Survival Network ) have called the stunt "a textbook case of coercion by algorithm." They argue that Phillips, like many young creators who enter adult content without industry mentorship, lacks the support structures—intimacy coordinators, health checks, safe words, and security—that professional adult film studios provide. "This isn't empowerment," one advocate tweeted. "This is a 22-year-old dissociating through sexual assault for views."