imprint, the album features original soundtracks and musical re-imaginings of seminal avant-garde short films. Core Concept
However, I can’t provide direct download links to copyrighted material in RAR format. But I can help you:
Critics have noted that while the music is stunningly beautiful on its own, it is "quasi-cinematic" in nature—meant to be experienced alongside the visual material it was designed to accompany. The Cinematic Orchestra Presents In Motion 1 Rar
The tracklist is notoriously difficult to find on streaming services like Spotify or Apple Music, which is why the "RAR" (Roshal Archive) file type became the primary method of distribution for fans.
Released on June 25, 2012, through Ninja Tune, The Cinematic Orchestra Presents In Motion #1 is a curated soundtrack album featuring compositions designed to re-imagine classic avant-garde and silent short films. The project, featuring contributions from artists like Austin Peralta and Grey Reverend, spans styles including Future Jazz and Downtempo. For more details, visit Ninja Tune . The Cinematic Orchestra presents In Motion #1 - Bandcamp imprint, the album features original soundtracks and musical
The album stems from a series of performances at the Barbican Centre in 2011, where Swinscoe commissioned various artists to score experimental films. The project explores the intersection of vision and sound, moving beyond the "imaginary film" concept of their previous work, , into the scoring of actual historical visuals. Featured Artists & Collaborators
The project originated from a series of live performances at London’s Barbican Centre . Jason Swinscoe invited several of his favorite musicians and producers to re-imagine the scores for classic experimental films, ranging from the surrealist classic Entr’acte (1924) to Peter Tscherkassky’s Outer Space . The tracklist is notoriously difficult to find on
While the album as a whole is a masterpiece of re-scoring, "In Motion #1" stands out for its driving, insistent rhythm. It captures the frantic energy of early 20th-century industrialization. The track utilizes a repetitive, marching drum loop overlaid with warm, swelling horns and vibraphone melodies. It is music that literally sounds like movement—train wheels on tracks, gears turning, and the hustle of a waking city.
Among their diverse discography, one specific entry frequently piques the interest of collectors and digital archivists:
First, let’s clarify the product. The Cinematic Orchestra Presents In Motion #1 is not a studio album like Every Day or Man with a Movie Camera . It is a very specific digital promotional (promo) EP, often categorized as a DJ tool or Limited Edition Mix .