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If you are ready to get lost in the jungle of Brazilian modernism, only to emerge with hands that can finally play anything you hear in your head, open the book. Play slowly. Listen deeply. And let Sergio Assad change your right hand forever.
Assad successfully merges the didactic (learning a specific technique) with the artistic (making music). Each study is a performance piece. In fact, several international competitions (GFA, Tárrega) now include an Assad study in their required repertoire lists. Sergio Assad 24 Studies
Sergio Assad: Solo Guitar Works (Naxos Records). 24 Studies performed by Andrea Dieci or Fabio Zanon. If you are ready to get lost in
Many classical etudes focus on the high, singing voice. Assad loves the bass. Several studies (notably No. 12 in B Major) invert the texture: a lyrical, melancholic melody lives on the low E and A strings while delicate chords shimmer above. This forces the guitarist to re-learn how to "sing" with the thumb. And let Sergio Assad change your right hand forever
In the lexicon of classical guitar pedagogy, few names command as much respect as the Assad family. While the duo of Sergio and Odair Assad is celebrated globally for their virtuosic performances and groundbreaking arrangements, Sergio Assad has carved out an equally significant niche as a composer. Among his most vital contributions to the instrument is a collection that is rapidly becoming a cornerstone of the modern repertoire: the .
The collection is symmetrically organized into two volumes of twelve studies each. The first volume tends to focus on , while the second volume explores texture and polyphony .
By practicing these pieces, a guitarist doesn't just improve their right-hand speed or left-hand accuracy; they learn the nuances of Brazilian phrasing. They learn how to make a single guitar sound like a small percussion ensemble or a lyrical woodwind. Legacy and Impact
