was too slow and that the plot points, if you’ve seen the trailer, were somewhat predictable. Some critics also argued that while the script wants us to see Selena’s brain, the camera sometimes remains too focused on the "erotic" label rather than her inner psychological depth.
One cannot discuss Chathuram without bowing to the visual mastery of cinematographer Jomon T. John and visual director Jebin Jacob Antony. If the screenplay provides the skeleton, the visuals provide the flesh and blood of this film. malayalam movie chathuram
In the bustling landscape of contemporary Malayalam cinema, where high-octane thrillers and social dramas often dominate the conversation, a quiet little gem like (meaning Square or Four-sided ) slips in with little fanfare but leaves a lingering, haunting aftertaste. Released directly on OTT platforms, Siddharth Bharathan’s Chathuram is not a film you watch for interval bangs or mass moments. It is a film you feel —a slow, deliberate, and deeply unsettling character study about the geometry of human relationships. was too slow and that the plot points,
In the vast landscape of Malayalam cinema, where experimental narratives often find a balance between commercial viability and artistic integrity, certain films slip under the radar despite their profound thematic weight. (English: Square or Quadrangle ) is precisely that kind of hidden gem. Released in 2019, this film is not your typical star-driven vehicle; it is a slow-burning psychological chamber drama that dissects the fragile nature of the human ego, the boredom of affluence, and the terrifying ease with which a home can turn into a prison. John and visual director Jebin Jacob Antony
It doesn't shy away from themes of desire and power dynamics that are often sanitized in mainstream cinema. However, some viewers felt the
In the ever-evolving landscape of Malayalam cinema, where the "New Gen" wave has consistently pushed boundaries, few films have managed to stir the pot quite like Chathuram . Released in 2022, this thriller is not merely a whodunit; it is a psychological labyrinth that explores the murky depths of human greed, lust, and survival. Directed by Siddharth Bharathan, the film serves as a bold testament to the shifting paradigms of storytelling in the industry, proving that Malayalam cinema is unafraid to venture into the dark, uncomfortable corners of the human psyche.
In Chathuram , Sasidharan employs a specific technique known as or "chamber play" format. The entire film is shot within the confines of the single house. The camera moves slowly, often in long, unbroken takes. There is no background score in the traditional sense. The only sounds are the hum of the air conditioner, the clinking of teacups, the awkward silence between conversations, and the rain against the windows.