Quincy Jones - Smackwater Jack 1971 Tqmp -flac- Jun 2026

The album features a "who’s who" of legendary musicians, including , Hubert Laws , Milt Jackson , and Toots Thielemans . Go to product viewer dialog for this item. Smackwater Jack [180 Gram Vinyl] (LP) - Quincy Jones

For the serious collector, not all copies of Smackwater Jack are created equal. The specific holy grail is the encoded in lossless FLAC . This article explores why this particular version has become the benchmark for audiophile listening.

The title track, "Smackwater Jack," is the album's defining statement. Built around a relentless, infectious groove, the song is a masterclass in rhythm section interplay. It features a young Valerie Simpson on vocals, delivering a performance that is both playful and commanding. The arrangement is dense but never cluttered; Jones utilizes brass stabs and rhythmic pauses to create a sense of dynamics that keeps the listener engaged from the first bar to the last. Quincy Jones - Smackwater Jack 1971 TQMP -FLAC-

It includes iconic versions of the theme from Ironside and the "sinister" groove of Hikky-Burr (the theme to the first Bill Cosby Show ), which features vocals by Bill Cosby himself.

The personnel reads like a who’s-who of session elite: (piano, vocals), Eric Gale (guitar), Bob James (arranger, keyboards), Bernard Purdie (drums), and Milt Jackson (vibraphone). The album features a "who’s who" of legendary

The label is not a universal mastering standard but rather a seller or archivist notation — typically standing for “Top Quality Master Performance” or “True Quadraphonic Master Preservation.” In the context of FLAC (Free Lossless Audio Codec) rips, TQMP indicates:

Quincy Jones’s Smackwater Jack (1971) is a milestone of jazz-funk fusion. To hear it as a pristine TQMP in FLAC is to travel back to the golden age of analog tape. It is loud where it should be, quiet where it dares, and forever a benchmark for the arranger’s craft. The specific holy grail is the encoded in lossless FLAC

Listeners report that the TQMP FLAC reveals subtle details lost in earlier digital transfers: the resonance of mallets on vibes, breath noise in the woodwinds, and the original analog tape hiss (preserved intentionally as an authenticity marker).