Allows you to change the crossover frequencies for the bands.
To understand , you must first understand its ancestor. The original Yamaha B-1000 (and its sibling, the PB-1000) was produced for a very short period in the late 1970s. Designed for professional studios, it featured a fully parametric mid-band—a rarity at the time. However, what engineers quickly discovered was that the unit’s discrete op-amp topology created a unique form of harmonic distortion. When you pushed the frequencies hard, the unit didn't just get louder; it got thicker . AudioThing Type-A -WiN-MAC-
Enter – a meticulous, circuit-modeled emulation that brings this rare beast to your digital audio workstation. Whether you are a Windows producer or a Mac enthusiast, this plugin promises to deliver the creamy saturation and surgical EQ curves that have made the original unit a collector’s item. Allows you to change the crossover frequencies for the bands
This is the primary use case. It adds a professional "sheen" and helps vocals sit on top of a dense mix. Designed for professional studios, it featured a fully
Explain the of the original noise reduction hardware. Let me know which production goal you're focusing on! AI responses may include mistakes. Learn more
The AudioThing Type-A is available on both Windows and Mac platforms, making it a great option for producers and engineers working in a variety of environments. Here are the technical details:
The signal is split into four overlapping bands where compression is inversely proportional to volume—quiet sounds get brighter while louder ones remain natural. Customisable "Mods":